Best Supporting Roles in Oscar Awards Snafu

Wow, can you believe how the 89th Academy Awards show climaxed with the wrong winner for Best Picture getting announced from the stage? Warren Beatty clearly couldn’t. Three times, at least, as Beatty stood there, looking puzzled, with an opened red envelope in hand, fear stretched his mouth wider. Throw in a gulp, a skeptical smile, and what’s a guy to do? As anybody who’s ever worked a job knows, the moment disaster strikes the key is to hand off responsibility for the disaster to somebody else.

Bonnie and Clyde co-star Faye Dunaway thought Beatty was kidding around, when he was actually trying to make a get-away. “You’re impossible,” Dunaway told Beatty as many in the crowd may have had the same thought I did: is Beatty feeling his age, had a few drinks – what’s going on? “Come on,” Dunaway then added, sealing her fate. Beatty hands her the suspect envelope, and she announces “La La Land!” without even taking a serious look at the card inside the by-now infamous envelope.

“La La Land!” Dunaway declared with a big smile, reinforcing happiness’s primary downside: bliss often tends to make you sloppy with the details. The upside is that happiness symbolically involves hugging the moment that fulfillment happens, and soon the La La Land team was on stage, with a trio of producers launching into acceptance speeches.  Meanwhile, the script for the final award of the evening was being hastily revised. With a guy with a headset on suddenly stage center, conferring with others behind him, La La Land producer Fred Berger got the word.

Eyebrow arched in disbelief, Berger suddenly lapses into “We lost by the way,” shrugs, and manages a faux smile. Besides Berger, another guy in a tux isn’t as gracious. Anger permeates his face. Meanwhile, Emma Stone can be seen mouthing the words, “Oh, my God.”

Who gets the award for the best supporting role in the Academy Awards’ most shocking screw-up ever? The nominees are . . .

Faye Dunaway – for not bothering to read the card that actually had Emma Stone’s name on it.

Warren Beatty – for not comprehending the mistake himself, followed by stepping forward to needlessly explain the error, still  vaguely puzzled, still fearful, still given to sheepish grins. Fortunately, Denzel Washington directed Beatty from Washington’s front row seat to the reality that Beatty should step aside and let Barry Jenkins, director of Moonlight, the actual winner, get to talk at last.

The Academy – for a history of winners being in reality the Most Popular Movie, not the Best Movie, given that cash is king in Hollywood as it is everywhere else, all artistic pretensions normally aside. And since La La Land is a tribute to the movie-making industry, who could imagine the Academy wasn’t going to reward being in love with itself?

who could imagine the Academy wasn’t going to reward being in love with itself?

Brian Cullinan – the PwC accounting firm ambassador, accorded a red-carpet entry himself, only to hand the wrong, backup envelope for Best Actress to Beatty. The explanation that Cullinan wishes didn’t make sense? His having most likely distracted himself from the task at hand by tweeting a photo of Emma Stone back stage after she won her award for Best Actress, just before disaster struck.

Jimmy Kimmel – the host for the show, for fatuously suggesting “Why can’t we just give out a whole bunch of them?” in response to La La Land producer Jordan Horowitz’s plight as winner turned loser of the evening’s most prized Oscar.

And the winner is . . . The Academy. It can’t possibly be Faye Dunaway because, after all, she was merely engaged in what psychologists call top-down mental processing, whereby existing beliefs influence, shape, and even dominant how we react to any new sensory input. In other words, people tend to see only what they expect to see: of course, the winner would have to be La La Land, in which Ryan Gosling’s character plays a white man trying to save jazz.  Wasn’t it almost inconceivable that Moonlight, directed by a black man filming a movie about a poor gay man, could win, after two years in a row in which no black person was even nominated for a major award?

Could anything be even more inconceivable for viewers at home as well as the slack-jacked, eyes wide, stunned and ultimately, mostly pleased, star-studded audience in attendance? That would be the spectacle of a white female director taking home either the Director’s prize of the one for Best Picture. A study has found that only 1.9% of the directors for the top 100 grossing films in recent years have been women.

Woops. “This is not a joke,” La La Land producer Marc Platt said on stage. “This is not a joke,” repeated producer Jordan Horowitz. Someone strongly agrees with them. Who was the one woman most prominent after the ceremony? That would be the Academy’s chief executive, Dawn Hudson. She summoned all of my other nominees – minus Kimmel – into the theatre’s green room for what was apparently an enraged talking-to, while the celebratory parties began elsewhere.