Game Face: Signature Expressions and Feelings

Disgust best describes Nadal, whose nose will often wrinkle and his upper lip flair as if the very thought of being a mediocre player smells and tastes “toxic” to him. In turn, surprise as in paying hyper-intense attention is what most defines Djokovic. Look at how wide his eyes go as he prepares to receive serve. Therefore, the answer to today’s pop quiz is that happiness best fits Federer. He glides around the court like a ballet dancer showing a subdued smile and mirth given his delight in playing the sport well. So much for the fits of anger or prolonged tears that plagued his days as a junior player. The exception: it’s when Federer receives serve, for which he ranks a mere 16th on the ATP tour these days (compared to #2 under pressure and 5th for having the greatest serve among active players).

Released today: episode #1 of my podcast series on the New Books Network’s Biography channel. The episode features Dave Seminara, the author of Footsteps of Federer: A Fan’s Pilgrimage Across 7 Swiss Cantons in 10 ActsClick on here to get to the new episode.

Dave Seminara is a writer, former diplomat, and passionate tennis fan. His writings have appeared in The New York TimesThe Wall Street Journal, and dozens of other publications. His two previous books are Bed, Breakfast & Drunken Threats: Dispatches from the Margins of Europe and Breakfast with Polygamists: Dispatches from the Margins of The Americas.

Image of New Books network and Dan Hill's EQ Spotlight podcast logo

Dan Hill, PhD, is the president of Sensory Logic, Inc.

For Portraits and Selfies: A Case of Monkey See, Monkey Not-Quite-Do

Portraits and Selfies Re-enactment of famous Art

Emotions can be as contagious as Covid-19, but that doesn’t mean the facial expressions are easy to capture when art devotees around the world use their imaginations in wonderful ways to recreate famous works of art at home. The Rijksmuseum in Amsterdam and the Getty Museum in Los Angeles have gotten into the act, encouraging art lovers to re-stage famous art works. https://www.smithsonianmag.com/smart-news/museum-asking-people-remake-famous-artworks-with-household-items-180974546/  But no entity has surpassed a Facebook group, started in Russia, that boasts over half a million art re-enactors. https://www.nytimes.com/2020/04/25/world/europe/russia-Facebook-art-parodies.html  If you’re a painter or photographer who does portrait work – or somebody who likes to pose for selfies and are interested in what your expressions reveal about your mood that day or your personality, over time – listen in. Here’s an opportunity to sharpen your skills or pose. For my book Famous Faces Decoded: A Guidebook for Reading Others, I surveyed participants on what they viewed as the signature, characteristic emotions of 173 celebrities. On average, they were right only about 35% of the time – meaning there’s no shame in failing to detect emotions well. Join the crowd. We’re all more likely to be Watson rather than Sherlock Holmes!

In terms of life imitating art, just how good are the re-enactors at capturing correct facial expressions? In truth pretty good, but not great. Above on the left side is “Salome” with the head of John the Baptist by the 17th-century Bolognese painter Guido Reni. On the right is that same painting’s recent staging by Aglaya Nikonorova and her husband, Alexander. What’s faithful to the original, in terms of the couple’s facial expressions? Both women have wide open eyes (anger, fear and surprise), pursed lips (anger) and a smirk on the left side of their mouths (contempt). So far, so good. But the original Salome also has a pouty, raised chin (indicating anger, sadness and disgust), whereas the imitation includes a raised left eyebrow, indicating an extra dose of fear and surprise. That difference is trifling, however, compared to John the Baptist’s head. In the original, the eyes are sunken in grief with a pool of wrinkles above them, and the eyebrows are raised, pushed out and pinched together above the nose. In the re-enactment John the Baptist appears to be taking a nap, with his face relaxed. Further reinforcing the difference, in the original John’s lips are slightly apart and pulled down, triggering the viewer to feel the horror of getting beheaded, and perhaps inducing a contagious tremble. In contrast, in the re-enactment John’s lips appear just as peaceful as his eyes. In short, it’s a matter of being close – but no cigar.

In simple terms, these are important take-aways about where and how people express their emotions on their faces whenever contemplating a portrait or selfie:

  • The upper face is the place for surprise and fear. When the eyes go wide and the eyebrows lift, we’re increasing our field of vision.
  • The area around the mouth reveals the like/dislike reactions best. Look for anger (tightening), disgust (contortions) or sadness (wincing especially).
  • The chin area never reveals any happiness. It’s best for wide-mouth surprise and fear, or a jutting chin for anger.

More re-enactments will be included in my virtual talk, sponsored by the Duluth Art Institute on Thursday, May 28that 3 p.m. The heart of the presentation, however, will be highlights from my recent art book First Blush: People’s Intuitive Reactions to Famous Art. It’s the biggest study ever done involving eye-tracking and art – plus facial coding of participants’ responses, in order to also know how they feel about what they’re specifically seeing. The event is free but you must register. Please go to https://www.duluthartinstitute.org/event-3843385/Registration